5 wins & 4 nominations.

He was as good as destituted and nearly forgotten. New York: The H.W. Biography in: John Wakeman, editor. He made a fortune in the USA and was an American citizen. Robert Siodmak, Director: Nachts, wenn der Teufel kam. His increasing popularity involved disadvantages. After losing much of his own money on the stock market, Siodmak managed to get a job writing titles for imported American films and, by 1927, progressed to film cutter. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. The director Robert Siodmak (which he insisted, be pronounced 'See-odd-mack') was a masterful film maker who successfully blended the techniques of German Expressionism with contemporary styles of American film, particularly film noir, in the process creating a handful of moody, sometimes chilling, and always memorable motion pictures. Robert Siodmak (8 August 1900 - 10 March 1973) was a German-born American film director. His father came from Tennessee to Germany in 1899 in order to get married.

He managed with Lancaster to capture a youthful vulnerability in "The Killer"-despite the actor's age (he was 33). He directed Charles Laughton (a close friend) and George Sanders, actors with indelible personas, and got from both perhaps the unlikeliest, most natural and under-acted performances of their careers. Check out our breakdown of the movies and shows we're excited about this month, including "Looking for some great streaming picks? He also helped raise Ava Gardner's public profile.



All Films ; Fandango US ; Amazon US ; Amazon Video US ; iTunes US ; Upgrade to a Letterboxd Pro account to add your favorite services to this list—including any service and country pair listed on JustWatch—and to enable one-click filtering by all your favorites.. Powered by JustWatch In 1955, Siodmak returned to the Federal Republic of Germany to make Die Ratten, with Maria Schell and Curd Jurgens, winning the Golden Berlin Bear at the 1955 Berlin Film Festival. Siodmak carried with him to Hollywood the traditions and skills of his German film heritage, and became a major influence in American film noir of the 1940s. It was the last German silent and also included such future Hollywood artists as Fred Zinnemann, Edgar G. Ulmer, and Eugen Schufftan. His most notable film noirs include Phantom Lady , The Strange Affair of Uncle Harry , The Spiral Staircase , The Killers , The Dark Mirror , Cry of the City , Criss Cross and The File on Thelma Jordan . Ava Gardner and Burt Lancaster became stars in one go. Robert Siodmak had first contacts to the theater as an actor in small parts at the "Stattliches Schauspielhaus" in Dresden.

"World Film Directors, Volume One, 1890-1945". Siodmaks finished his artistic career with several Karl-May-Adaptions and with the monumental film "Kampf um Rom" (68). In 1951 he came back to Europa and worked first in France and England then in Germany. Siodmak's return to Europe in 1954 with a Grand Prize nomination at the Cannes Film Festival for his remake of Jacques Feyder's Le grand jeu was a misstep, despite its stars, Gina Lollobrigida (two of them) and Arletty in the role originated by Françoise Rosay, Feyder's wife. He received his tertiary education from the University of Marburg and briefly tried his hand at acting with local stock companies.

Siodmak worked at this for two years before he persuaded Nebenzal to finance his first feature, the silent chef d'oeuvre, Menschen am Sonntag (People on Sunday) in1929. When this didn't work out, he joined his father in the bank business, but with rampant inflation and the Great Depression about to hit, this too was a short-lived venture. ASCONA, Switzerland, March 11 (AP)—Robert Siodmak, the film director and producer, died of a heart attack yesterday in a hospital in Locarno near here. (1957-58). His canon is a viewing list for any authentic study of the genre. Siodmak (pronounced SEE-ODD-MACK) was born in Dresden, Germany, the son of Rosa Philippine (née Blum) and Ignatz Siodmak. Robert Siodmak emigrated in the 30s to France, his brother Curt Siodmak - a successful author and screenwriter (Donovan's Brain) - emigrated to England, his second brother Rolf chose suicide at the age of 20. Siodmak immersed himself in the creative process and genuinely loved working with actors; in fact, he was considered an actor's director, discovering Burt Lancaster, Ernest Borgnine, Tony Curtis, Debra Paget, Maria Schell, Mario Adorf, and skillfully directing actresses, such as Ava Gardner, Olivia de Havilland, Dorothy McGuire, Yvonne de Carlo, Barbara Stanwyck, Geraldine Fitzgerald, and Ella Raines. It was the first in a series of films critical of his homeland, during and after Hitler. He worked as a stage director and a banker before becoming editor and scenarist for Curtis Bernhardt in 1925 (Bernhardt would direct a film of Siodmak's story Conflict in 1945). He died alone in 1973 in Locarno, seven weeks after his wife's death.

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