However, once she finds an image that is meaningful for her—in this case, the doily—her own past seems to unlock.
If the wickerwork is indeed impregnated with grease, this doily is its offspring! While the boys appear to be a threat to her with their “raciness” she can claim a new superiority by denying their premise. Sources. The speaker moves on to more positive and optimistic observations which includes comic books of color - the reader doesn't get to know the exact color - suggesting a family life with at least a bit of fun in it. The reader gains a snapshot view of what the speaker sees: “—this little filling station, / oil-soaked, oil-permeated / to a disturbing, over-all / black translucency.” The speaker’s derogatory tone turns wry in the final line of the stanza: “Be careful with that match!” she cries, implying that if a match is lit anywhere near the oil-soaked station, the entire place is likely to blow up.The speaker’s distaste likewise extends toward the family that runs the station. Rather than depict a simple anecdote where a woman stops to get gas in her car, this poem reverses the logic.

Here, because of the parenthetical “(part of the set),” which refers back to the wickerwork, readers can probably assume that the intended meaning is a piece of furniture: specifically, to quote from The speaker asks the same question in the fifth stanza: “Why the extraneous plant? Tone And Mood 1. In a parenthesis, Bishop says: “(it’s a family filling station).”By this point in the poem, it is evident that Bishop is in supreme control of the meaning and implication of her punctuation.

Instead, she argues that “the aesthetic mission is also a moral one.” Craft, in other words, must be connected to morality insofar as every poet is responsible for the vision, imagery, tone, and story of the poem. Sorry to rain on your parade. At the end of the poem, beauty finds its source in love, and the poem suddenly opens out to “us all.” In doing so, it suggests that no human being, no matter how “thoroughly dirty,” is beyond the beautifying power of love.“Filling Station” presents the reader with a microcosm, a little world, unified by the pervasive presence of oil, and complete with human and animal, work and rest, order and disorder, masculine and feminine. Well, Bishop knows all about homes. It happens in the first line— “Oh, but it is dirty!”—the fussy tone of a woman for whom cleanliness is a priority. It is not uncommon for people to harbor contempt for the place in which they were raised. As a child loves a toy? Historical Context. Bishop was a prolific letter writer.


According to Bishop, the typical social roles of men and women in the In this stanza, Bishop returns to her light humor, too. Many readers might conclude that these details prove her point, this is a home just as she thought. The admiration unfolds slowly, and even secretly, as if the speaker doesn't really want to own up to it.

She claims that aesthetic talent alone cannot define a poem. At the helm is “Father” in his “oil-soaked monkey suit,” which is obviously too small for him. The poet describes the call of a solitary owl, and the ancient elms and yew trees under which the long-dead country folk are buried. We're pretty stationary the whole time. And the wicker itself is “impregnated” with grease. Dictators and foreign armies have oppressed the Nicaraguan people It must be a home, she decides, for if it is just another male workplace then:In other words, the details seem to be convincing but they do not finally convince Bishop. POEM TEXT Marguerites, by the way, are a special kind of daisy.Those three awkward yet necessary questions are nearly answered fully in this last stanza, eight lines, four complete sentences, with the word Yes, somebody did work on the doily, water the plant (note the joke Is the speaker implying that the mother is missing from this unlikely family scene?It could be. Much tin work today comes from the city of Oaxaca, home to a very large native Indian population. This poetry analysis essay of the “Filling Station” by Elizabeth Bishop will focus on the use of imagery, symbols, wordplay, and tone. Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.com cannot guarantee each citation it generates.

men In “Filling Station” the speaker of the poem describes a gas station whose most prominent outward quality is filth: “Oh, but it is dirty!” she declares in the first line. But now these questions are filled, as is this station, with ambiguity, complexity, and an abundance of meaning.What Bishop sees cannot be denied. Is it God?

In “Filling Station,” she What is important to the poem is their color, for it is the “only note of color” in this otherwise oil-clouded scene. The speaker bravely maintains her characteristic sense of humor and habitual attention to detail in spite of it, describing in a long parenthetical exactly how the doily is embroidered. What she emphasizes is the warm touch itself, not the gender of the person creating it. But this also assumes that perhaps the Style The arbitrariness of the objects themselves, the inexplicability of their presence here (why this and not something, anything else or, for that matter, why not nothing at all) shatters the speaker’s rather smug belief that she can reflect in her art an underlying order, or impose order through her art.

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